Mollie Marriott releases new album ‘Truth Is A Wolf’ on 3 November


Infectiously vivacious, soulful and connected. Mollie is the real deal”
– Bob Harris, BBC Radio 2 

“Strong songs with a great voice, Mollie’s got it all.”
– Ronnie Wood, the Rolling Stones

“… and they say the apple doesn’t fall far, it’s not surprising she has an incredibly soulful voice and is a great live performer. It’s been hard waiting for her first solo album to come out as I’ve known all along how important her voice is to be heard.”
– Peter Frampton

Photo Credit: © Laurence Harvey

Mollie Marriott is very proud of her heritage (daughter of former Small Faces and Humble Pie singer/guitarist Steve Marriott and step-daughter to singer Joe Brown) but it does not daunt her, she is ready to go it alone and will release her debut album “Truth Is A Wolf” on Friday 3rd November 2017 via Amadeus Music.

The album is available for pre-order now through available as Limited Edition Red Vinyl and Deluxe CD and Standard CD. Fan favourite Bundles are available with exclusive signed merchandise ranging from T Shirts, Posters, Set Lists, Unique Polaroid images and even house gigs. Anyone who pre-orders any of the bundles will receive Mollie’s first single “Control” as a thank you on Friday 28th July.

Says Mollie, “I’m really excited about the album. It features a lot of different styles and I think it really showcases my vocals.  We have a lot of fun making the album and I hope people enjoy listening to it. I can’t wait to perform the songs when we tour with Bad Touch in the UK during November.

Mollie collaborated with Paul Weller on the album’s title track “Truth Is A Wolf” and also “King Of Hearts”. Paul is undoubtedly one of the most influential British artists of his generation, and the album’s quality is testament to his involvement.

Photo Credit: © Rob Blackham

“Control” is the first single taken from the album, and is supported by an official music video.

“Control is all about taking back control of my music,” says Mollie. “It was important so this was the right single to start with. I’m in the driver’s seat going where I want to go. I co-wrote the song with Sam Tanner, lead vocalist with Brother Strut. We knew right from the beginning Control was the perfect song to release as the first single from the new album.”

Photo Credit: © Laurence Harvey

Mollie began writing the debut album in Nashville and has fond memories of the recording process. She teamed up with Paul Weller whilst recording, who appears on two tracks, “Truth Is A Wolf” and “King Of Hearts”.

Says Mollie, “I went to Nashville to start writing the album. The title track ‘Truth Is A Wolf’ written by Gary Nicholson, he was going to give it to Bonnie Raitt or Susan Tedeschi – two artists who are big influences to me. I heard the demo just wurli and vocals and thought it summed up my album. It was the perfect tile song.”

Photo Credit: © Rob Blackham

“A lot of the songs reflect my life. ‘Broken’ is all about ending a relationship and the effect that had on me and my daughter. It’s a rock album, but there are also elements of gospel and country.  It’s grungy, too. I am a grunge girl. I love Chris Cornell and Pearl Jam.  Alanis Morrissette’s ‘Jagged Little Pill’ is a favourite album of mine, and also a big influence.”

The band Dorothy inspired the vibe of this song. I was fed up of women using their femininity and beauty to get what they wanted and trampling over me and the people I loved. Taking us under their wing and then shitting on us from a great height. I’d had enough with everything combined and decided right, I’m taking my life back and I’m going to show you I don’t need you. It’s definitely a favourite to play live!

I wrote the bones of this when I was in Nashville. Most of the lyrics and melody with the drum beat and then took it to Sam. It was a time when I really looked back at my relationship with my daughter and realised how I had failed when my fiancé and I had split up. I was so blinded by hurt and thought she was so young she wouldn’t notice but she did so the song is about her. This is the one song I wish I didn’t know how to write. It’s an apology showing her that no matter what happens it’s us against the world.

I didn’t write this but it was played it to me when I was in Nashville. I knew I had to have it, so begged Gary for a few days. It was one of those songs where I think,” Damn, I wish I wrote that.” I love the lyrics as they are quite dark and poetic. Musically, it was obvious where we were going to go with it. I wanted the classic old school sound to match it but with a modern hit and I think we got that. The lyrics summed up the whole album to me so it made sense to call the album it. Ties it all in a bow.

I suppose this is my only lovey dove song. I had the bones of this track and we all built around it. This song is very personal to me and always broke my heart but now makes me smile. How lucky to be able to love like that! The background vocals of Sam, Jim and I always make me cry. One of my favourite songs “anytime you need a friend” by Mariah Carey inspired those background vocals.

This song stemmed from the phrase “Run with the hare and hunt with the hounds.” It was shortly after I’d gone through hell with a previous label. We’d turned the phrase and made it as we have to run with the hounds to the same goal. I had the melody for the verse and bridge and then it all just flowed and came so quickly. It was originally a ballad but we got a Fleetwood Mac vibe into it from the drums.

I wrote this when my friend died unexpectedly from illness. It wasn’t meant to be terminal. I wrote it from his girlfriend’s point of view and it took quite a while to get this lyrically right. I used to say to him, “Oh I love your bones.” Again uncomfortable but true. Tori Amos inspired this one for me.

Photo Credit: © Laurence Harvey

I turned up to the session with the lyrics to the first verse. I was thinking on the train how much I changed when I was with a man. I was never myself and always morphed into what they wanted mainly much to my detriment. I thought it was quite powerful and something that a lot of people can relate to. I wanted the music to be very haunting in this to mirror the message of the ghost of your former self. It was important that it made people feel uncomfortable. It’s my favourite to sing, as it’s a constant reminder to just be me and the right person will accept it.

This is the first song I wrote on guitar. Safe to say this was definitely Pearl Jam inspired. I wrote it for a friend who was creating a tea mess for himself and didn’t think I could see and I knew he was scared to admit it out of fear of judgement. This was my way of saying, “I know, it’s ok because I know this isn’t who you are it’s just you looking for an escape but let’s face this hand in hand together.”

Graham sent over a demo he’d done of just chords and I had the melody down in ten minutes of hearing it. I had a rough idea lyrically with “Walking in a straight line,” but sent it over to Jude who wrote the majority of the lyrics. I altered a few to fit to a situation that I had found myself in. Lyrically and musically, it’s quite sleazy and naughty, and that’s what I love that about it. I wanted this to sound quite grungy. It was actually one of my favourite recording experiences on the album. We had all the lights out and just rocked it all in one room.

This was the real lowest point of my epic emotional crash of 2012. I was completely lost in everything and had truly hit rock bottom. This song is about how everyone kept telling me to get up and sort myself out, but I wasn’t ready to just yet. I had to stay there a while and wallow in it all. I knew I would awake from it at some point but had to in my own time. I think that’s important for everyone. I wrote it with Jim who let me crash. He said once I couldn’t get lower the only way is back up. When you stuff it down it will come back to haunt you in the future. Musically we have the harmonica drone from Ben which I think brings that dark/ eerie element with a twist and I love that. I wanted the background vocals to sound haunting like the ghosts of my past.


This song is one of my favourites. I love the simplicity of the production. It originally was a full band vibe but then a song by Florence and The Machine inspired me to just strip it to electric and it totally worked. Making the lyrics more prominent which is important to me. This is a battle of love. A frustration, a support and a best friend. I’m saying, “I’m here no matter how hard it is.”

Tom sent me some chords that he’d put down a few years back and did nothing with. I instantly fell in love and had the melody done within an hour. This song took me two months to write and drove me mad! I had to get it right. This song is my homage to a man who has been in my life since I was six and helped me back on my feet.

“It’s easy to see why acts as diverse as godfather Paul Weller
and rising blues rockers Bad Touch are inviting her onto their tours.
The future is bright for Mollie Marriot.” 
– Get Ready To Rock

“I’m not going to be able to get the song out of me head for weeks.” 
– Dotun Adebayo – BBC Radio 5 Live

“Taking full control, 100%” – BBC Radio London

“Sultry, alluring, and gutsy. Mollie Marriott has got a lot of soul,
and can rock with the best.”
 – Graffiti Punctuated


24 HOUR BOX OFFICE – 0844 478 0898

Sheffield, Corporation
Thursday 9th November 2017

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Venue: 0114 276 0262 (9:30am – 4:30pm)
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Leek, Foxlowe Arts Centre
Friday 10th November 2017

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Market Place, Leek, Staffordshire, ST13 6AD

Bristol, Tunnels
Thursday 16th November 2017

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Arches 31 & 32, Bristol & Exeter Mews,
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Manchester, Ruby Lounge
Friday 17th November 2017

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28-34 High Street, Manchester, M4 1QB

Newcastle, Cluny
Saturday 18th November 2017

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36 Lime Street, Ouseburn
Newcastle upon Tyne, NE1 2PQ

Nottingham, Bodega
Sunday 19th November 2017

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23 Pelham St, Nottingham, NG1 2ED

Glasgow, Stereo
Thurs 23rd November 2017

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22-28 Renfield Lane, Glasgow, G2 6PH

Leeds, Brudenell
Friday 24th November 2017

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33 Queen’s Rd, Leeds, LS6 1NY

Coventry, Empire
Saturday 25th November 2017

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Far Gosford St, Coventry, CV15DU

London, Islington Academy
Sunday 26th November 2017

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N1 Centre, 16 Parkfield St, London, N1 0PS

Norwich, Waterfront Studio
Friday 1st December 2017

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139-141 King St, Norwich, NR1 1QH

Southampton, Talking Heads
Saturday 2nd December 2017

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16-22 The Polygon, Southampton, SO15 2BN

Planet Rockstock
Sunday 3rd December 2017

Trecco Bay Holilday Park, Porthcawl,
Mid Glamorgan, South Wales, CF36 5PW


Mollie has spent her music career working as a backing singer with numerous artists including Oasis and her stepfather Joe Brown. Now she’s taking centre stage with the release of her new album Truth Is A Wolf.

Says Mollie – “I want people to o listen to me as Mollie, Mollie Marriott; NOT “Mollie Marriott daughter of Steve Marriott” – that was not the name on my birth certificate.”

In concert, Mollie exudes am intimate rapport with her audience. Her sassy soulful blues vocals are full of classic influences. She can find a raw emotional edge that the best rock singers have – at times rootsy and upscale through to modest and classy with a sustained relaxed feel.

Photo Credit: © Rob Blackham

Her mix of classic rock and contemporary rock is irresistible. Her cool seductive style embodies the classic feel of Sheryl Crow, the vulnerability of Stevie Nicks, and the soul of Bonnie Raitt. Her music is steeped in dirty guitars, complemented with her gravelly and emotional bluesy voice.

In 2001, Mollie sang backing vocals at the London Astoria Memorial Concert for her father, Steve Marriott, where she performed alongside Paul Weller, Zak Starkey and Deborah Bonham.  In 2004, Mollie performed at the Ronnie Lane’s Memorial Concert at the Royal Albert Hall alongside Dean Rees, Steve Ellis and Ronnie Wood.

In 2015, Mollie shared the stage with The Who, Mick Huckall, and Jeff Beck and sang backing vocals at The Faces Reunion Concert. In October 2016, Mollie sang alongside with Robert Plant, Van Morrison, Mark Knopfler and Imelda May to celebrate Bill Wyman’s 80th Birthday. She’s also toured extensively with Paul Weller and Wilko Johnson.

Photo Credit: © Rob Blackham

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